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Glass art has existed in many forms over
the centuries. From goblets and dishes, to vases and chandeliers,
glass has brought many shapes and colors to life over the years.
Now, glass blowers have found a new avenue to take the art form:
glass pipes.
From the parking lots of the Grateful Dead shows to galleries
in our own neighborhoods, this functional glass art has come a
long way. Functional glass is the newest incarnation of glass
blowing and the growth within this new art form is endless. Blowers
of glass pipes have been sprouting up in the North Country and
in Burlington area due to the popularity of the art.
Jonah Magnoni, a glass blower from Portland, Oregon, has worked
with glass since the days of his parent's stained glass shop.
Now residing in Burlington, Vermont, Jonah, like other professional
blowers, is known only as Jonah in the presentation and signing
of his work. Jonah is a blower of fine glass
pipes, marbles,
and other glass art. "With pipes I could be as creative as
I wanted to be and still get paid everyday."
The birth of glass pipes came in the early 1980s when Bob
Snodgrass, a wood worker from Eugene, Oregon, traded his
table saw for a kiln and single- handedly brought a new genre
of glass blowing to life. Snodgrass became the forefather of today's
functional glass.
"He incorporated taking clear tubes of glass, fuming
them with actual silver and gold, and creating different designs,"
said Steve Sclafani, owner of Full Tank, Burlington's premier
glass gallery.
Snodgrass was the first to figure out that when certain metals
are sprayed into the glass, they change colors as the smoke blackens
the inside of the pipe. This process, known as fuming, helped
gold and silver become some of the most widely used metals in
glass blowing because of the vibrant blues and yellows that appear.
Since Snodgrass' discovery, the past two decades have been a
renaissance in the field of blowing functional glass art. The
quality of work that blowers put into their pieces now goes far
beyond what was possible 20 years ago.
Functional glass art is formed by blowing Pyrex glass into elaborate
functional tobacco pipes with colors and designs dispersed throughout
the piece. Inside-out,
magnifiers, reverse
spirals, millies,
and dychro are
just a few terms that have been developed over the years to describe
different kinds of designs within a piece.
"In glass right now, blowers are making the pieces works
of art before they're even a functional piece," added Sclafani.
"Blowing glass pipes has definitely developed into an art
form more than just a hobby. It's work you would see in a museum,"
he said.
When glass pipes were in their youth, Grateful Dead parking lots
were the only place for artists to sell their work. As the popularity
grew, stores in which pieces could be purchased started showing
up more and more. With the amount of stores increasing, the quality
of work being produced only got better.
"We've got to compete with what's going on in the west,
and it keeps all the east coast artists pushing the limits,"
commented Jonah. "If you're sitting next to someone who's
blowing glass, you want your work to be cleaner, tighter, and
five bucks less."
Kellie Alpert, owner of the glass shop, Threads
of Zion, in Burlington, feels that the competition for
sales in the industry has been positive. "The artists trying
to get their stuff into the stores are trying to outdo each other
so the competition is only making the work better," she said.
The ability for the work to improve is largely due to the growth
in the amount of colors available to glass blowers now.
"I think what's going on with inside-out glass now has a
lot to do with the colors, because two years ago we had maybe
thirty colors from Northstar
and they were all pretty bland," Said Jonah. "Being
able to fill in what we already have, with these true rainbow
colors, changes everything for us."
Now artists are able to incorporate their various designs of
the past with the colors of today, leaving awe-inspiring pieces
of art in their tracks.
Jonah is optimistic about the future of his art. "Blowers
are more getting more cutting edge," he believes, adding
that "the newest stuff I see happening is multi-layer inside-out,
different effects with color, and outside work with color
effects
that people won't see until they take it home and smoke out of
the pipe."
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